【藝術座談 精華分享 | 初始 • 如一 ：吳佳樺展 藝評家- 張禮豪 X 藝術家 - 吳佳樺 】

00:00【藝術座談 精華分享 | 初始 • 如一 】
00:26 從抽象表現主義與谿山行旅
看吳佳樺的精神性象徵
02:15 吳佳樺 "砌金"、"磊銀"
系列創作理念
02:58 超越幾何
，藝術在觀眾與

作品之間相互呼應
03:43 從創作的形式
解析吳佳樺的藝術本質
05:04 藝術的崇高性
來自於崎嶇道路上
始終如一的堅持

馬列維奇（Kazimir Malevich,1879－1935）的正方形、吉原治良（Yoshihara Jiro, 1905-1972）的圓形，霍剛（Ho Kan ,1932-）的幾何抽象，與吳佳樺的砌金、磊銀的山系列作品，它是幾何，但又超越幾何，透過幾何和顏色與觀者相呼應，讓身體親自感受⋯吳佳樺與其他藝術家截然不同的創作風格。

--- 藝評家 張禮豪


【 藝評家 - 張禮豪 / 1977- 】

曾先後擔任 "Artitude藝外" 與 " Art Plus " 藝術雜誌副總編輯 ，"典藏投資 " 主編 、"典藏古美術 " 主編 、"典藏今藝術 " 採訪編輯。

長期關注中國近、現代書畫、亞洲當代藝術之發展演變與市場表現。藝術評論相關文章與影像遍見於多種藝術、設計、時尚與財經類刊物。


【藝術家 - 吳佳樺 / 1977- 】

畢業於國立臺灣師範大學美術研究所丶國立藝術學院(今國立台北藝術大學)。歷經十年的沉澱積累與淬煉，以幻彩虛空中浮現的聳翠層巒與萬仞千峰，呈現具神秘主義風格的砌金、磊銀系列。

獨特的泥裡拔釘皴與點狀技法，見山於無形，觀者自有形，當我們見山不再是山，每座靈魂便是獨一無二。

【Essence Sharing of Art Forum | "Initial • Consistent: Wu Chia-Hua Exhibition" Art Critic - Chang Li-Hao X Artist - Wu Chia-Hua 】


The square of Kazimir Malevich (1879-1935), the circle of Yoshihara Jiro (1905-1972), the geometric abstraction of Ho Kan (1932-), and the golden brickwork and silver brickwork mountains of Wu Chia-Hua.The works of the Mountain series seems are geometric, but they transcend geometry. The audiences feel the color of geometry in personally......Wu's creative style of artworks is completely defferent from other artists.

By Art Critic - Chang Li-Hao


"Art Critic - Chang Li-Hao / 1977-"

Professional Experiences：
Long-term focus on the development and market of modern Chinese paintings and Asian contemporary art. Chang’s articles and photos generally publish on newspaper, also art, design and financial magazines.

"The Artist - Wu Chia-Hua / 1977-"

Graduated from the Graduate School of Fine Arts, National Taiwan Normal University and the National Institute of the Arts (currently renamed as Taipei National University of the Arts), Wu has accumulated and refined his works over the past decade, presenting the gold and silver series in the form of towering mountains and peaks emerging from the illusionary void.

The mountains are the center of thoughts and a scared symbol of many cultures. They coexist with the sky and one can hardly see their true form, with their peaks hidden in the clouds. The space between image and self-introspection is the realm of sublimation of the human mind.